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Winter
new3/POUSSIN, Nicolas-625453.jpg
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Winter
1660-64
Oil on canvas, 118 x 160 cm
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Theseus Finding His Father's Arms
new3/POUSSIN, Nicolas-795462.jpg
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Theseus_Finding_His_Father's_Arms
mk67
Oil on canvas
38 9/16x50 13/16in
Uffizi,
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The Inspiration of the Epic Poet
new4/POUSSIN, Nicolas-339922.jpg
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The_Inspiration_of_the_Epic_Poet
mk68
Oil on canvas
Paris
c.1630
France
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Landscape with Saint Matthew and the Angel
new4/POUSSIN, Nicolas-532387.jpg
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Landscape_with_Saint_Matthew_and_the_Angel
mk68
Oil on canvas
Berlin,Staatliche Museen,Picture Gallery
1640
France
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Et in Arcadia Ego
new4/POUSSIN, Nicolas-585926.jpg
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Et_in_Arcadia_Ego
mk68
Oil on canvas
Paris,Louvre
1650
France
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POUSSIN,_Nicolas
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
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