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Portrait of a Woman with a Fan
new16/Frans Hals-968447.jpg
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Portrait_of_a_Woman_with_a_Fan
mk170
circa 1640
Oil on canvas
79.8x59cm
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Festmabl of the officers of the St. Jorisdoelen in Haarlem
new17/Frans Hals-488838.jpg
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Festmabl_of_the_officers_of_the_St._Jorisdoelen_in_Haarlem
mk186
1627 Haarlem, fringe-neck-museum
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Festmabl of the officers of the St. Jorisdoelen in Haarlem
new17/Frans Hals-652248.jpg
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Festmabl_of_the_officers_of_the_St._Jorisdoelen_in_Haarlem
mk186
1616 Haarlem, fringe-neck-museum
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St.Jorisdoelen in Haarlem
new17/Frans Hals-826836.jpg
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St.Jorisdoelen_in_Haarlem
mk186
1627
Haarlen,Frans-Hals-Museum
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Stephanus Geraerdts and Isabella Coymans
new18/Frans Hals-867869.jpg
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Stephanus_Geraerdts_and_Isabella_Coymans
1650-52
Oil on canvas,
115 x 87 and 116 x 86 cm
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Frans_Hals
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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