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Appraising the Day's Work
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Appraising_the_Day's_Work
Date 1883(1883)
Medium Oil on canvas
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Art Judges
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Art_Judges
1906(1906)
Medium Oil on canvas
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Syende fiskerpige
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Syende_fiskerpige
1890(1890)
Medium Oil on canvas
Dimensions 59 x 48 cm
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Blue Clematis in the Artist's Studio
new25/Anna Ancher-537979.jpg
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Blue_Clematis_in_the_Artist's_Studio
Date 1913(1913)
Medium Oil on canvas
Dimensions 64.2 x 55 cm
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Two Old People Plucking Gulls
new25/Anna Ancher-336487.jpg
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Two_Old_People_Plucking_Gulls
Date c. 1883
Medium Oil on canvas
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Anna_Ancher
Danish Painter, 1859-1935
was the only one of the Skagen Painters that was actually born in Skagen, Denmark. Anna Ancher was born and grew up in the northernmost area of Jutland, called Skagen (the Skaw). Her talent became obvious at an early age and she grew acquainted with pictorial art via the many artists who settled to paint in Skagen. Anna Ancher studied drawing for 3 years at the Vilhelm Kyhn College of Painting in Copenhagen. However, Anna Ancher developed her own style and was a pioneer in observing the interplay of different colours in natural light. She also studied drawing in Paris at the atelier of Pierre Puvis de Chavannes along with Marie Triepcke, who would marry Peder Severin Krøyer, another Skagen painter. In 1880 she married fellow painter Michael Ancher, whom she met in Skagen. They had one daughter, Helga Ancher. Despite pressure from society that married women should devote themselves to household duties, she continued painting after marriage. Anna Ancher is considered to be one of the great Danish pictorial artists by virtue of her abilities as a character painter and colourist[citation needed]. Anna Ancher's art found its expression in Nordic art's modern breakthrough towards a more truthful depiction of reality, e.g. in Blue Ane (1882) and The Girl in the Kitchen (1883-1886). Anna Ancher preferred to paint interiors and simple themes from the everyday lives of the Skagen people and fishermen,
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