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The Shadow of a naked girl
new20/Jean Francois Millet-897382.jpg
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The_Shadow_of_a_naked_girl
mk245
c.1845
33x41cm
Oil on canvas
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Come back from field
new20/Jean Francois Millet-775857.jpg
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Come_back_from_field
mk245
1846-1847
45.7x38cm
Oil on canvas
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Dafuni and Keluoi
new20/Jean Francois Millet-777286.jpg
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Dafuni_and_Keluoi
mk245
1845
87.5x65.4cm
Oil on canvas
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Barther
new20/Jean Francois Millet-537782.jpg
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Barther
mk245
28x19cm
Oil on canvas
1848
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The Yidisipa
new20/Jean Francois Millet-376494.jpg
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The_Yidisipa
mk245
1847
136x77.5cm
Oil on canvas
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Jean_Francois_Millet
1814-1875
French
Jean Francois Millet Galleries
Millet was the first child of Jean-Louis-Nicolas and Aim??e-Henriette-Adelaide Henry Millet, members of the peasant community in the village of Gruchy, in Gr??ville-Hague (Normandy). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Th??ophile Langlois, a pupil of Baron Gros, in Cherbourg. A stipend provided by Langlois and others enabled Millet to move to Paris in 1837, where he studied at the Ecole des Beaux-Arts with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon was rejected.
After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris.
It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Theodore Rousseau, artists who, like Millet, would become associated with the Barbizon school; Honor?? Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.
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