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Hagar and the Angel
Nicolas Poussin73.jpg
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Hagar_and_the_Angel
1660Oil on canvas
100 x 75 cm
Galleria Nazionale
d'Arte Antica, Rome
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Landscape with Diana and Orion
Nicolas Poussin74.jpg
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Landscape_with_Diana_and_Orion
1660Oil on canvas
119 x 183 cm
Metropolitan Museum
of Art, New York
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Summer(Ruth and Boaz)
Nicolas Poussin75.jpg
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Summer(Ruth_and_Boaz)
1660-64 Oil on canvas
118 x 160 cm Louvre
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Autumn
new4/Nicolas Poussin76.jpg
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Autumn
1660-64
Oil on canvas,
118x160 cmLouvre
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Autumn
Nicolas Poussin77.jpg
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Autumn
1660-64
Oil on canvas,
118x160 cmLouvre
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Nicolas_Poussin
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
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