Correggio

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 Correggio Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great oil painting artist
 Click Image to Enlarge
     Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great
     new4/Correggio-698327.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Details_of_the_cupola_with_the_apostles_Philip_and_Thaddeus,James_the_Less_and_Thomas,Andrew_and_Jomes_the_Great
mk74 Parma, Church of San Giovanni Evangelista

 Correggio Parmigianino Detail of the putto between the pendentives of the north side oil painting artist
 Click Image to Enlarge
     Parmigianino Detail of the putto between the pendentives of the north side
     new4/Correggio-754639.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Parmigianino_Detail_of_the_putto_between_the_pendentives_of_the_north_side
mk74 Parma Church of San Giovanni Evangelista

 Correggio Detail of the putto to the side of the pendentive with Jerome and Matthew oil painting artist
 Click Image to Enlarge
     Detail of the putto to the side of the pendentive with Jerome and Matthew
     new4/Correggio-676228.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Detail_of_the_putto_to_the_side_of_the_pendentive_with_Jerome_and_Matthew
mk74 Parma, Church of San Giovanni Evangelista

 Correggio Frieze depicting the Christian Sacrifice oil painting artist
 Click Image to Enlarge
     Frieze depicting the Christian Sacrifice
     new4/Correggio-364622.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Frieze_depicting_the_Christian_Sacrifice
mk74 Parma, Church of San Giovanni Evangelista, chapter house

 Correggio Frieze depicting the Christian Sacrifice oil painting artist
 Click Image to Enlarge
     Frieze depicting the Christian Sacrifice
     new4/Correggio-587993.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Frieze_depicting_the_Christian_Sacrifice
mk74 Parma, Church of San Giovanni Evangelista, chapter house

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     Correggio
    Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

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