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The painters and their Waves
new19/James Tissot-443835.jpg
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The_painters_and_their_Waves
mk235
c.1885
146x101.7cm
Oil on canvas
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the reception
new20/James Tissot-893568.jpg
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the_reception
mk247
1883 to 85,oil on canvas,albright knox art gallery,buffalo,ny,usa
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Autoportrait
new21/James Tissot-224864.jpg
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Autoportrait
Autoportrait
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La femme Prehistorique
new21/James Tissot-652243.jpg
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La_femme_Prehistorique
La femme Prehistorique
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Le Balcon du Cercle de la rue Royale
new21/James Tissot-776256.jpg
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Le_Balcon_du_Cercle_de_la_rue_Royale
Le Balcon du Cercle de la rue Royale (The Circle of the Rue Royale), 1868
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James_Tissot
French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
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