Jean Baptiste Camille Corot

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 Jean Baptiste Camille  Corot La Rochelle (mk11) oil painting artist
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  La_Rochelle_(mk11)
entree du port-1851 Collection privee

 Jean Baptiste Camille  Corot La Rochelle (mk11) oil painting artist
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     La Rochelle (mk11)
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  La_Rochelle_(mk11)
avant-port-1851 Copenhague,Ny Carlsberg Glyptotek

 Jean Baptiste Camille  Corot Une matinee (mk11) oil painting artist
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     Une matinee (mk11)
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Une_matinee_(mk11)
la danse des nymphes-ners 1850 Paris,Musee du Louvre

 Jean Baptiste Camille  Corot Vue de Saint-Lo (mk11) oil painting artist
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     Vue de Saint-Lo (mk11)
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Vue_de_Saint-Lo_(mk11)
vers 1850/1855 Paris Musee du Louvre

 Jean Baptiste Camille  Corot Idylle antique (Cache-cache) (mk11) oil painting artist
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     Idylle antique (Cache-cache) (mk11)
     new6/Jean Baptiste Camille Corot-499765.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Idylle_antique_(Cache-cache)_(mk11)
1859 Lille,Musee des Beaux-Arts

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     Jean_Baptiste_Camille__Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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