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Diogenes
new3/John William Waterhouse-348868.jpg
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Diogenes
mk58
1882
oil on canvas
208.3x134.6cm
Art Gallery of New South Wales,Sydney
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The Favourites of the Emperor Honorius
new3/William Powell Frith-259252.jpg
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The_Favourites_of_the_Emperor_Honorius
mk58
1883
oil on canvas
119.3x205cm
Art Gallery of South Australia,Adelaide
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The Favourites of the Emperor Honorius
new3/John William Waterhouse-785265.jpg
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The_Favourites_of_the_Emperor_Honorius
mk58
c.1882-3
oil on canvas
94x166.5cm
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Consulting the Oracle
new3/John William Waterhouse-429278.jpg
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Consulting_the_Oracle
mk58
1884
oil on canvas
119.4x198.1cm
Tate.London
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Saint Eulalia
new3/John William Waterhouse-726535.jpg
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Saint_Eulalia
mk58
oil on canvas
188.6x117.5cm
Tate.London
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John_William_Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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