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Madonna of the Meadows
new9/Raphael-837776.jpg
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Madonna_of_the_Meadows
mk86
1505/06
Oil tempera on wood
113x88cm
Vienna,Kunsthitorisches Museum
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Marriage of the Virgin
new9/Raphael-234925.jpg
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Marriage_of_the_Virgin
mk86
1504
Oil tempera on wood
170x117cm
Milan,Piacoteca di Brera
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Madonna di Foligno
new9/Raphael-496975.jpg
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Madonna_di_Foligno
mk86
c.1512
Oil on wood,transferred to canvas
301x198cm
Rome,
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The Transfiguration
new9/Raphael-653445.jpg
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The_Transfiguration
mk86
c.1517-1520
Oil on canvas
405x278cm
Rome,Musei Vaticani,
Pinacoteca Vaticana
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The School of Athens
new9/Raphael-557428.jpg
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The_School_of_Athens
mk861511/12
Fresco,width c.800cm
Rome,Musei Vaticani
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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