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Study for Stained-Glass Composition III
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Study_for_Stained-Glass_Composition_III
Date 1917(1917)
Medium ink on transparent paper
Dimensions 5 X 5.5 cm (2 X 2.2 in)
TTD
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Design for Stained-glass Composition Female Head.
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Design_for_Stained-glass_Composition_Female_Head.
Date May 1917(1917-05)
Medium gouache on paper
Dimensions Height: 36.5 cm (14.4 in). 24.5 cm (9.6 in)
TTD
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Stained-glass Composition Female Head.
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Stained-glass_Composition_Female_Head.
Date from May 1917(1917-05) until July 1917(1917-07)
Medium stained glass
Dimensions 39 X 26 cm (15.4 X 10.2 in)
TTD
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Composition VI (on black fond).
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Composition_VI_(on_black_fond).
Date 1917 (presumably)
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Composition VII (The Three Graces).
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Composition_VII_(The_Three_Graces).
Date English: January-May 1917.
TTD
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Theo_van_Doesburg
Dutch
1883-1931
Dutch painter, architect, designer and writer. He was officially registered as the son of Wilhelm Kepper and Henrietta Catharina Margadant, but he was so convinced that his mother second husband, Theodorus Doesburg, was his father that he took his name. Little is known of his early life, but he began painting naturalistic subjects c. 1899. In 1903 he began his military service, and around the same time he met his first wife, Agnita Feis, a Theosophist and poet. Between about 1908 and 1910, much influenced by the work of Honor Daumier, he produced caricatures, some of which were later published in his first book De maskers af! (1916). Also during this period he painted some Impressionist-inspired landscapes and portraits in the manner of George Hendrik Breitner. Between 1914 and 1915 the influence of Kandinsky became clear in such drawings as Streetmusic I and Streetmusic II (The Hague, Rijksdienst Beeld. Kst) and other abstract works.
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