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angel with incense- burner, looking to the left
new22/Francisco de Zurbaran-537733.jpg
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angel_with_incense-_burner,_looking_to_the_left
1637-1639
oil on bord, 122x66cm
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blessed john houghton
new22/Francisco de Zurbaran-876832.jpg
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blessed_john_houghton
1637-1639
oil on bord, 122x66cm
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bruno in ecstasy
new22/Francisco de Zurbaran-833357.jpg
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bruno_in_ecstasy
1637-1639
oil on canvas, 341x195cm
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anselmo
new22/Francisco de Zurbaran-592894.jpg
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anselmo
1637-1639
oil on bord, 120x64cm
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artoldo
new22/Francisco de Zurbaran-658596.jpg
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artoldo
1637-1639
oil on bord, 120x64cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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