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john singer sarg sargent
new20/Anthony Van Dyck-232934.jpg
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john_singer_sarg_sargent
mk265 almina daughter of asher wertheimer 1908 london tatr gallery.
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philip de laszlo
new20/Anthony Van Dyck-828669.jpg
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philip_de_laszlo
mk265 the duchess of york 1923 royal collevtion
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james abbott mcneill whistler
new20/Anthony Van Dyck-884722.jpg
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james_abbott_mcneill_whistler
mk265 harmont in grey and green miss cecily alexander,1872-1874 london tate gallery,
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john singer sargent
new20/Anthony Van Dyck-563822.jpg
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john_singer_sargent
mk265 w.graham robertson 1894 lonson. tate gallert
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diego rodriguez silva y velazouez
new20/Anthony Van Dyck-564442.jpg
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diego_rodriguez_silva_y_velazouez
mk265 infante don carlos 1626-1627 madrid musro del prado
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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