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Lev Nikolayevich Tolstoy shoeless.
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Lev_Nikolayevich_Tolstoy_shoeless.
1901(1901)
Medium oil on canvas
Dimensions 207 x 73 cm (81.5 x 28.7 in)
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Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan.
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Portrait_of_painter_Grigory_Grigoryevich_Myasoyedov._Study_for_the_picture_Ivan_the_Terrible_and_His_Son_Ivan.
1883(1883)
Medium oil on canvas
Dimensions Height: 55.5 cm (21.9 in). Width: 44.4 cm (17.5 in).
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Ivan the Terrible and His Son Ivan on November 16th, 1581
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Ivan_the_Terrible_and_His_Son_Ivan_on_November_16th,_1581
Date 1885(1885)
Medium oil on canvas
Dimensions 199.5 x 254 cm (78.5 x 100 in)
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Portrait of the painter Pavel Petrovich Chistyakov
new26/Ilya Repin-738358.jpg
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Portrait_of_the_painter_Pavel_Petrovich_Chistyakov
1878(1878)
Medium oil on canvas
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Portrait of painter Nikolai Nikolayevich Ge
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Portrait_of_painter_Nikolai_Nikolayevich_Ge
1880(1880)
Medium oil on canvas
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Ilya_Repin
Ukrainian-born Russian Realist Painter, 1844-1930
was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.
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