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Bridge at Villeneuve la Garenne 1872
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Bridge_at_Villeneuve_la_Garenne_1872
Bridge at Villeneuve-la-Garenne 1872
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Footbridge at Argenteuil,
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Footbridge_at_Argenteuil,
Footbridge at Argenteuil, 1872
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Chemin de la Machine Louveciennes,
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Chemin_de_la_Machine_Louveciennes,
Chemin de la Machine Louveciennes, 1873
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Sentier de la Mi cote, Louveciennes
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Sentier_de_la_Mi_cote,_Louveciennes
Sentier de la Mi-cote, Louveciennes, 1873
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Among the Vines Louveciennes,
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Among_the_Vines_Louveciennes,
Among the Vines Louveciennes, 1874
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Alfred_Sisley
French
1839-1899
Alfred Sisley Galleries
Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs.
Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.
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