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Allegory of Chastity
new19/GIOTTO di Bondone-858964.jpg
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Allegory_of_Chastity
c. 1330 Fresco Lower Church
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Marriage at Cana
new19/GIOTTO di Bondone-767398.jpg
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Marriage_at_Cana
1304-06 Fresco, 200 x 185 cm
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Dream of Innocent III
new19/GIOTTO di Bondone-686875.jpg
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Dream_of_Innocent_III
1297-99 Fresco, 270 x 230 cm
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Vision of the Flaming Chariot
new19/GIOTTO di Bondone-459842.jpg
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Vision_of_the_Flaming_Chariot
1297-99 Fresco, 270 x 230 cm
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Stigmatization of St Francis
new19/GIOTTO di Bondone-694654.jpg
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Stigmatization_of_St_Francis
1297-1300 Fresco, 270 x 230 cm
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GIOTTO_di_Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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