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La Translation miraculeuse de sainte Rita de Cascia ou La Vierge protegeant Spolete
new26/Nicolas Poussin-778954.jpg
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La_Translation_miraculeuse_de_sainte_Rita_de_Cascia_ou_La_Vierge_protegeant_Spolete
1633
Medium oil on panel
Dimensions 48 x 37 cm
cyf
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The Sacred Family in a landscape
new16/Nicolas Poussin-389928.jpg
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The_Sacred_Family_in_a_landscape
mk166
Toward the middle of the 17th century I Wave on cloth
94x12cm Museum the Louvre, Paris
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The Virgin of the Pilar and its aparicion to San Diego of Large
new16/Nicolas Poussin-438758.jpg
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The_Virgin_of_the_Pilar_and_its_aparicion_to_San_Diego_of_Large
mk166
I Wave on Cloth
301x242cm Museum of the Louvre, Paris
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Eats in Arcadia ego
new16/Nicolas Poussin-287929.jpg
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Eats_in_Arcadia_ego
MK169
ca. 1630 Cloth
101x82cm
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The Saint Family on the stair
new16/Nicolas Poussin-326363.jpg
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The_Saint_Family_on_the_stair
MK169
1648 Shut down 72.4x111.7cm Cleveland Museum or Art
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Nicolas_Poussin
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
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