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Landscape (mk13)
new7/Thomas Cole-928339.jpg
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Landscape_(mk13)
1825
Oil on canvas
23 3/4 x 31 1/2''
The Minneapolis Institute of Arts Bequest of Mrs.Kate Dunwoody
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The Clove,Catskills (mk13)
new7/Thomas Cole-282269.jpg
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The_Clove,Catskills_(mk13)
1827 Oil on canvas 25 x 36''
Collection New Britain Museum of American Art,New Britain,Connecticut,Charles F.Smith Fund
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Landscape with Figures A Scene from The Last of the Mohicans (mk13)
new7/Thomas Cole-862875.jpg
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Landscape_with_Figures_A_Scene_from_The_Last_of_the_Mohicans_(mk13)
1826 Oil on penel
26 x 43''
Berry-Hill Galleries New York
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Landscape Scene from
new7/Thomas Cole-578539.jpg
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Landscape_Scene_from
1827 oil on canvas
25 x 31''
New York State Historical Association Cooperstown
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Scene from The Last of the Mohicans Cora Kneeling at the Feet of Tamenund (mk13)
new7/Thomas Cole-838743.jpg
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Scene_from_The_Last_of_the_Mohicans_Cora_Kneeling_at_the_Feet_of_Tamenund_(mk13)
1827 Oil on canvas 25 3/8 x 35 1/16''
Wadsworth Atheneum,Hartford,Connecticut Bequest of Daniel Wadswor
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Thomas_Cole
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
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