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tragedin
new22/Gustav Klimt-796763.jpg
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tragedin
1897, wien, historisches museum der stadt wien, 41.9x30.8cm
detta ar av de teckningar som klimt gjorde for allegorien und embleme, utgiven av forlags ab gerlach schenk i wien
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skulpturen
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skulpturen
1896, wien, historisches museum der stadt wien, 41.8x31.3cm
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ung flicka med nedbojt huvud
new22/Gustav Klimt-334224.jpg
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ung_flicka_med_nedbojt_huvud
1898 , wien, historisches museum der stadt wien, 45x31.6cm
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junius,
new22/Gustav Klimt-877374.jpg
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junius,
1896, wien, historisches museum der stadt wian 41.5x31cm i denna teckning anvande klimt for forsta gangen det kvadratiska format han senare begagnade framfor allt for landskapen
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hopkrupen kvinnofigur
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hopkrupen_kvinnofigur
1908-09, wien ,historisches museum der stadt wien, 54.9x34.8cm
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Gustav_Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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