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the sleeping gypsy
new20/Henri Rousseau-345233.jpg
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the_sleeping_gypsy
mk247
1897,oil on canvas,51x79 in,129.5x201 cm,museum of modern art moma,new york,ny,usa
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fotbollsspelarna
new20/Henri Rousseau-943769.jpg
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fotbollsspelarna
mk248 rousseau tyckte om att avbilde vardagen runt omkring sig, som en kontrast till sina mer exotiska motiv. han delade manniskornas for karlek for feter ocb rekreationer av skilda slag. de randiga fotblls spelarna ser snarast ut som om de framforde en surrealistisk balett.
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ormroparen
new20/Henri Rousseau-463728.jpg
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ormroparen
mk248 den ensamme musikanten star likt en mork eva i sitt manbelysta paradis ocb lockar ormarna. rousseau tog ofta med sig skissblocket till fardin des plantes ocb tack vare en bemlig overenskommelse med en av tradgardsmastarna kunde ban sitta ivaxtb usens grons grona djungel i timmar ocb teckna, det var det narmaste ban nagonsin kom ett tropiskt landskap.
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Roma s sleep
new20/Henri Rousseau-366542.jpg
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Roma_s_sleep
mk250 around the year 1897. Oil on canvas, 129.5 x 200.7 cm. New York Museum of Modern Art.
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Yadwighas drom
new23/Henri Rousseau-454935.jpg
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Yadwighas_drom
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Henri_Rousseau
French
1844-1910
Henri Rousseau Locations
He was born in Laval in the Loire Valley into the family of a plumber. He attended Laval High School as a day student and then as a boarder, after his father became a debtor and his parents had to leave the town upon the seizure of their house. He was mediocre in some subjects at the high school but won prizes for drawing and music. He worked for a lawyer and studied law, but "attempted a small perjury and sought refuge in the army," serving for four years, starting in 1863. With his father's death, Rousseau moved to Paris in 1868 to support his widowed mother as a government employee. In 1871, he was promoted to the toll collector's office in Paris as a tax collector. He started painting seriously in his early forties, and by age 49 he retired from his job to work on his art. His wife died in 1888 and he later remarried.
Rousseau claimed he had "no teacher other than nature", although he admitted he had received "some advice" from two established Academic painters, Felix Auguste-Clement and Jean-Leon Gerome. Essentially he was self-taught and is considered to be a naive or primitive painter.
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