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st, luis beltran
new22/Francisco de Zurbaran-679744.jpg
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st,_luis_beltran
1631-1640
oil on canvas, 209x154cm
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st. ildefonso receiving the chasuble
new22/Francisco de Zurbaran-647696.jpg
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st._ildefonso_receiving_the_chasuble
1643-1644
oil on canvas, 290x180cm
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the virgin of the caves
new22/Francisco de Zurbaran-423649.jpg
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the_virgin_of_the_caves
1641-1658
oil on canvas, 267x320cm
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st. bruno in conversation with pope urban
new22/Francisco de Zurbaran-955769.jpg
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st._bruno_in_conversation_with_pope_urban
1641-1658
oil on canvas, 272x326cm
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st, hugo in the refectory
new22/Francisco de Zurbaran-934664.jpg
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st,_hugo_in_the_refectory
1641-1658
oil on canvas, 262x307cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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