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Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,
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Die_Aussetzung_des_kleinen_Moses_in_einem_Binsenkorb_im_Wasser,_Fragment,
c. 1740
Medium oil on canvas
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Triunfo das Artes
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Triunfo_das_Artes
from 1729(1729) until 1730(1730)
Medium oil on panel
Dimensions 55.5 X 72 cm
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The Sacrifice of Iphigenia
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The_Sacrifice_of_Iphigenia
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Date ?
Medium oil on canvas
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Susanna und die beiden Alten
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Susanna_und_die_beiden_Alten
1722-1723
Medium oil on canvas
Dimensions 56 X 43 cm
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Boy Holding a Book
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Boy_Holding_a_Book
oil on canvas, New Orleans Museum of Art
Date c. 1747-50
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Giovanni_Battista_Tiepolo
Italian Rococo Era Painter, 1696-1770
Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions.
Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters.
In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
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