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Taking of Christ
new18/Francisco Goya-924392.jpg
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Taking_of_Christ
mk214
1798
Oil on canvas
300x200cm
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El si pronuncian y la mano Alargan al primero que llega
new18/Francisco Goya-735282.jpg
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El_si_pronuncian_y_la_mano_Alargan_al_primero_que_llega
mk214
1797-8
Etching with aquatint
21.8x15.4cm
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Tu que no puedes
new18/Francisco Goya-438246.jpg
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Tu_que_no_puedes
mk214
1797-8
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Donde va mama
new18/Francisco Goya-773672.jpg
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Donde_va_mama
mk214
1797-8
Etching with aquatint
20.9x16.7cm
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Bruja poderosa que por ydropica
new18/Francisco Goya-276639.jpg
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Bruja_poderosa_que_por_ydropica
mk214
1797-8
Pen and spia ink
24x16.8cm
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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