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apotheosis of homer
new20/Jean-Auguste Dominique Ingres-442582.jpg
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apotheosis_of_homer
mk247
1827,oil on canvas,152x201.5 in,386x512 cm,louvre,paris,france
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portrait of nino eristavi
new20/Jean-Auguste Dominique Ingres-298255.jpg
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portrait_of_nino_eristavi
mk247
1829,oil on canvas,54x35 in,139x90 cm,georgian state picture gallery,tbilisi,georgia
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comtesse d haussonville
new20/Jean-Auguste Dominique Ingres-958972.jpg
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comtesse_d_haussonville
mk247
1845,oil on canvas,51.875x36.25 in,132x92 cm,frick collection,new york,ny,usa
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madame moitessier
new20/Jean-Auguste Dominique Ingres-372366.jpg
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madame_moitessier
mk247
1856,oil on canvas,47.25x36.25 in,120x92 cm,national gallery,london,uk
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Song Yu Nu Figure Valbandon
new20/Jean-Auguste Dominique Ingres-997547.jpg
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Song_Yu_Nu_Figure_Valbandon
mk255 for in 1808. 1.46 x 0.97 meters canvas. Paris, the Louvre
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Jean-Auguste_Dominique_Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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