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Il Canal Grande da campo S Vio (mk21)
new7/Canaletto-758269.jpg
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Il_Canal_Grande_da_campo_S_Vio_(mk21)
1730 ca Olio su tela 50 x 70 cm
Pinacoteca di Brera,Milano
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Scala dei Gigantt (mk21)
new7/Canaletto-966752.jpg
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Scala_dei_Gigantt_(mk21)
1765
Olia su tela 42 x 29 cm
Collezione Private,Citta di Messico
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L'abbazia di Westminster con la processione dei cavalieri dell'Ordine del Bagno (mk21)
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L'abbazia_di_Westminster_con_la_processione_dei_cavalieri_dell'Ordine_del_Bagno_(mk21)
1749
Olio su tela,99 x 101.5 cm
Westminster ABey Mueseum,Wesminster Abbey,Londra
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Cappella del'Eton College a Windsor (mk21)
new7/Canaletto-739452.jpg
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Cappella_del'Eton_College_a_Windsor_(mk21)
1747
Olio su tela,61.5 x 107.5 cm
The National Gallery,Londra
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(in alto a destra) Giambattista Piazzetta e Giovanni Battista Cimaroli (mk21)
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(in_alto_a_destra)_Giambattista_Piazzetta_e_Giovanni_Battista_Cimaroli_(mk21)
Monumento funebre fantastico per Lord Sommers
1726-1727 ca
Olio su tela,279.4 x 142.2 cm
Birmingham Museum and Art Gallery (Prestito Privato)Birmingham
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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