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A View of the Two Lakes and Mountain House,Catskill Mountains Morning
new2/Thomas Cole-792327.jpg
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A_View_of_the_Two_Lakes_and_Mountain_House,Catskill_Mountains_Morning
mk48
1844
Oil on canvas
35 13/16x53 7/8in
Brooklyn Museum,Dick S.Ramsay Fund
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View on the Catskill-Early Autumn
new2/Thomas Cole-774243.jpg
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View_on_the_Catskill-Early_Autumn
mk48
1836-37
Oil on canvas
39x63in
The Metropolitan Museum of Art,Gift in Memory of Jonathan Sturges by his children
1895
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The Pic-Nic
new2/Thomas Cole-394678.jpg
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The_Pic-Nic
mk48
Oil on canvas
47 7/8x54in
Brooklyn Musem,A.Augustus Healy Fund
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Cross at Sunset
new2/Thomas Cole-686555.jpg
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Cross_at_Sunset
mk48
ca.1848
Oil on canvas
32x48 1/2in
Museo Thyssen-Bornemisza,Madrid
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Vue du mont Holyoke,pres de Northampton dans le Massachusetts Apres l'orage
new4/Thomas Cole-343522.jpg
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Vue_du_mont_Holyoke,pres_de_Northampton_dans_le_Massachusetts_Apres_l'orage
mk75
1836
Huile sur toile
130.8x193cm
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Thomas_Cole
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
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