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Retrato del Duque de San Carlos
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Retrato_del_Duque_de_San_Carlos
1815(1815)
Dimensions 237 x 153 cm (93.3 x 60.2 in)
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Equestrian portrait of Maria Teresa de Vallabriga
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Equestrian_portrait_of_Maria_Teresa_de_Vallabriga
Date 1783
Medium Oil on canvas
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Bartolome Sureda y Miserol (c. 1803-1804) by Francisco Goya
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Bartolome_Sureda_y_Miserol_(c._1803-1804)_by_Francisco_Goya
Oil on canvas, National Gallery of Art
Date c. 1803-1804
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Courtyard with Lunatics or Yard with Madmen, by Francisco de Goya,
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Courtyard_with_Lunatics_or_Yard_with_Madmen,_by_Francisco_de_Goya,
Courtyard with Lunatics or Yard with Madmen, by Francisco de Goya, 1794. Oil on tin plated iron, 43.8 x 32.7 cm. Meadows Museum, Dallas, Texas.
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Portrait of Antonio Pascual of Spain
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Portrait_of_Antonio_Pascual_of_Spain
Date 1800(1800)
Medium Oil on canvas
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Francisco_de_Goya
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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