Peter Paul Rubens

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 Peter Paul Rubens Helene Fourment and Her Children,Claire-Jeanne and Francois (mk05 ) oil painting artist
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     Helene Fourment and Her Children,Claire-Jeanne and Francois (mk05 )
     new6/Peter Paul Rubens-349242.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Helene_Fourment_and_Her_Children,Claire-Jeanne_and_Francois_(mk05_)
ca.1636-1637 Wood,45 1/4 x 33 1/2''(115 x 85 cm).Collection of Louis XIV;acquired in 1784

 Peter Paul Rubens Landscape with a Watering Place (mk05) oil painting artist
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     Landscape with a Watering Place (mk05)
     new6/Peter Paul Rubens-282755.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Landscape_with_a_Watering_Place_(mk05)
Wood,11 1/2 x 17''(29 x 43 cm)Early Collection INV

 Peter Paul Rubens Landscape with a Bird-Catcher (mk05) oil painting artist
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     Landscape with a Bird-Catcher (mk05)
     new6/Peter Paul Rubens-937636.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Landscape_with_a_Bird-Catcher_(mk05)
Wood,18 x 33 1/2''(46 x 85 cm).Obtained from the collection of the Stadhouder at The Hague in 1795

 Peter Paul Rubens Philopeoemen General of the Achaeans Is Recognized by His Hosts at Megara (mk05) oil painting artist
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     Philopeoemen General of the Achaeans Is Recognized by His Hosts at Megara (mk05)
     new6/Peter Paul Rubens-623592.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Philopeoemen_General_of_the_Achaeans_Is_Recognized_by_His_Hosts_at_Megara_(mk05)
Wood 19 1/2 x 26''(50 x 66 cm)From Plutarch Sketch for a large picture painted by Snyders with aid from Rubens;received in 1869

 Peter Paul Rubens Selbstbildnis mit Isabella Brant in der Geibblattlaube (mk05) oil painting artist
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     Selbstbildnis mit Isabella Brant in der Geibblattlaube (mk05)
     new6/Peter Paul Rubens-325656.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Selbstbildnis_mit_Isabella_Brant_in_der_Geibblattlaube_(mk05)
1609 179x136cm Munchen,Bayerische Staatsgemaldesammlung

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     Peter_Paul_Rubens
    Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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