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sir william orpen
new21/Anthony Van Dyck-925863.gif
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sir_william_orpen
mk265 mrs st geoge c 1912 privte collection
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gustav klimt
new21/Anthony Van Dyck-546288.jpg
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gustav_klimt
mk265 portrait of adele bloch bauer l 1907 new york neue galerie.
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gustav klimt
new21/Anthony Van Dyck-582676.jpg
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gustav_klimt
mk265 portrait of adele bloch bauer ll 1912 privte collection.
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jean gabriel domergue
new21/Anthony Van Dyck-547778.jpg
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jean_gabriel_domergue
mk265 lady on aofa 1919 cannes vlla fie
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jean gabriel domergue
new21/Anthony Van Dyck-284892.jpg
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jean_gabriel_domergue
mk265 jay with greyhounds 1930 paris musee d art moderne de la ville de paris.
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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