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Portrait of a Young Man.
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Portrait_of_a_Young_Man.
c. 1509-11
Oil on parqueted board
59 x 75 cm (23.2 x 29.5 in)
cjr
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Maria mit Christuskind und zwei Heiligen, Tondo
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Maria_mit_Christuskind_und_zwei_Heiligen,_Tondo
Date 1504-1505
Medium Oil on wood
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Portrait of a Youth
new24/RAFFAELLO Sanzio-333654.jpg
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Portrait_of_a_Youth
c. 1509-11
Medium oil on board
Dimensions 59 x 75 cm (23.2 x 29.5 in)
cjr
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Portrat des Fedra Inghirami
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Portrat_des_Fedra_Inghirami
1515 - 1516
Medium Oil on panel
Dimensions 90 x 62 cm (35.4 x 24.4 in)
cyf
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La fornarina or Portrait of a young woman
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La_fornarina_or_Portrait_of_a_young_woman
Date between 1518(1518) and 1519(1519)
Medium Oil on wood
Dimensions Height: 85 cm (33.5 in). Width: 60 cm (23.6 in).
cjr
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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