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Die Kuriosen
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Die_Kuriosen
1820-1821
Medium Oil on canvas
Dimensions Deutsch: 125 x 66 cm
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Tribunal de la Inquisicion o Auto de fe de la Inquisicion
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Tribunal_de_la_Inquisicion_o_Auto_de_fe_de_la_Inquisicion
1812-1819
Medium Oil on panel
Dimensions 46 x 73 cm
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Scene from the palace of the Duchess of Alba
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Scene_from_the_palace_of_the_Duchess_of_Alba
c. 1795
Medium English: Oil on canvas
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Der Schleifer
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Der_Schleifer
1790(1790)
Medium Oil on canvas
Dimensions 68 x 50 cm
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Retrato de Francisco de Saavedra y Sangronis Secrario de Estado de Espana
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Retrato_de_Francisco_de_Saavedra_y_Sangronis_Secrario_de_Estado_de_Espana
Oil on canvas
Dimensions 100.2 x 119.6 cm (39.4 x 47.1 in)
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Francisco_de_Goya
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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