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Portrait equestre de la reina Marguerite (df02)
new7/Diego Velazquez-863386.jpg
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Portrait_equestre_de_la_reina_Marguerite_(df02)
1634-1635
Queen Margarita on Horseback
Konigin Margarete zu Pferde
302 x 311.5 cm
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Portrait equestre de la reine Elisabeth (df02)
new7/Diego Velazquez-346456.jpg
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Portrait_equestre_de_la_reine_Elisabeth_(df02)
1634-1635
Queen Isabel on Horseback
Isabella von Bourbon zu Pferde
304.5 x 317.5 cm
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Portrait equestre de Philppe IV (df02)
new7/Diego Velazquez-772238.jpg
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Portrait_equestre_de_Philppe_IV_(df02)
1634-1635
Philip IV on Horseback
Philipp IV zu Pferde
303.5 x 317.5 cm
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Portrait equestre du prince Baltasar Carlos (df02)
new7/Diego Velazquez-234236.jpg
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Portrait_equestre_du_prince_Baltasar_Carlos_(df02)
1634-1635
Prince Baltasar Carlos on Horseback
Prinz Baltasar Carlos zu Pferde
209.5 x 174 cm
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La Reddition de Breda (Les Lances) (df02)
new7/Diego Velazquez-284442.jpg
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La_Reddition_de_Breda_(Les_Lances)_(df02)
1634-1635
The Surrender of Breda (Las Lanzas)
Ubergabe von Breda (Die Lanzen)
307.5 x 370.5 cm
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Diego_Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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