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Ansprache des Marques del Vasto an seine Soldaten
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Ansprache_des_Marques_del_Vasto_an_seine_Soldaten
1540-1541
Medium oil on canvas
Dimensions 233 x 165 cm
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Alessandro Cardinal Farnese
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Alessandro_Cardinal_Farnese
1546(1546)
Medium oil on canvas
Dimensions 202 x 176 cm (79.5 x 69.3 in)
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Portrait of Jacopo de Strada
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Portrait_of_Jacopo_de_Strada
oil on canvas
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Kirschen-Madonna
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Kirschen-Madonna
c. 1516-1518
Medium oil on canvas mounted on wood
Dimensions 81 x 99.5 cm (31.9 x 39.2 in)
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Portrat des Papstes Paulus III mit Kardinal Alessandro Farnese und Herzog Ottavio Farnese.
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Portrat_des_Papstes_Paulus_III_mit_Kardinal_Alessandro_Farnese_und_Herzog_Ottavio_Farnese.
1546(1546)
Medium oil on canvas
Dimensions 210 x 176 cm (82.7 x 69.3 in)
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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