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reception of the french ambassador in venice
new20/Canaletto-666832.jpg
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reception_of_the_french_ambassador_in_venice
mk247
c.1740,oil on canvas,71.25x102.125 in,181x260 cm,state hermitage museum,st.petersburg,russia
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eto college
new20/Canaletto-248543.jpg
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eto_college
mk248 denna bild av den beromda engelska skolan nara windsor malades mot slutet av canalettos vistse i storbitannien som bade inletts 1746.
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basino san marco venedig
new20/Canaletto-333357.jpg
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basino_san_marco_venedig
mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.
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Return of the Bucentoro to the Molo on Ascension Day
new21/Canaletto-484522.jpg
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Return_of_the_Bucentoro_to_the_Molo_on_Ascension_Day
1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape
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Venice Viewed from the San Giorgio Maggiore - Oil on canvas
new21/Canaletto-975986.jpg
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Venice_Viewed_from_the_San_Giorgio_Maggiore_-_Oil_on_canvas
77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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