Nicolas Poussin

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 Nicolas Poussin Summer oil painting artist
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     Summer
     new26/Nicolas Poussin-347869.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Summer
1660-1664 Medium oil on canvas Dimensions 1.18 X 1.6 m (1.3 X 1.7 yd) cyf

 Nicolas Poussin Lete ou Ruth et Booz oil painting artist
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     Lete ou Ruth et Booz
     new26/Nicolas Poussin-988435.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Lete_ou_Ruth_et_Booz
1660 - 1664 Medium oil on canvas cyf

 Nicolas Poussin Nicolas Poussin of either Jupiter and Antiope or Venus and Satyr oil painting artist
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     Nicolas Poussin of either Jupiter and Antiope or Venus and Satyr
     new26/Nicolas Poussin-776583.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Nicolas_Poussin_of_either_Jupiter_and_Antiope_or_Venus_and_Satyr
17th century Source ArtDaily.org cyf

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     Nicolas_Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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