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Brucke im Bau
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Brucke_im_Bau
1885(1885)
Medium Oil on canvas
Dimensions 46 x 55 cm
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La Seine a Saint-Mammes
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La_Seine_a_Saint-Mammes
Date 1885(1885)
Medium Oil on canvas
Dimensions 54.7 x 73.2 cm (21.5 x 28.8 in)
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Brucke von Moret im Sommer
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Brucke_von_Moret_im_Sommer
1888(1888)
Medium Oil on canvas
Dimensions 55 x 73 cm
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Seine bei Saint Mammes
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Seine_bei_Saint_Mammes
1884(1884)
Dimensions 50 x 65 cm
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Mooring Lines, the Effect of Snow at Saint-Cloud
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Mooring_Lines,_the_Effect_of_Snow_at_Saint-Cloud
Mooring Lines, the Effect of Snow at Saint-Cloud, 1879, by Alfred Sisley, oil on canvas, (37.5 x 45.7 cm). Philadelphia Museum of Art
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Alfred_Sisley
French
1839-1899
Alfred Sisley Galleries
Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs.
Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.
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