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Majas on a Balcony
new18/Francisco Goya-336747.jpg
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Majas_on_a_Balcony
mk214
New York
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Dona isabel cobos de porcel
new19/Francisco Goya-327682.jpg
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Dona_isabel_cobos_de_porcel
mk223
Oil on canvas
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Marquesa de Pontejos
new19/Francisco Goya-932589.jpg
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Marquesa_de_Pontejos
mk234
about 1786
210x127cm
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Charles IV with his family
new19/Francisco Goya-553682.jpg
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Charles_IV_with_his_family
mk234
1800
280x336cm
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Therese Louise de Sureda
new19/Francisco Goya-533265.jpg
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Therese_Louise_de_Sureda
mk234
ca 1803/04
120x81cm
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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