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Portrat eines Kindes mit Vogel
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Portrat_eines_Kindes_mit_Vogel
1st third of 17th century
49 X 40 cm
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Portrat eines Geharnischten mit roter Armbinde
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Portrat_eines_Geharnischten_mit_roter_Armbinde
Medium Oil on canvas
Dimensions 90 X 70 cm (35.43 X 27.56 in)
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Portrait of James Stanley, 7th Earl of Derby
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Portrait_of_James_Stanley,_7th_Earl_of_Derby
Circa 1632-1641
Oil painting
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Portrat eines Kindes mit Vogel
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Portrat_eines_Kindes_mit_Vogel
Deutsch: 1. Drittel 17. Jh.
English: 1st third of 17th century
Medium Deutsch: Holz
Dimensions Deutsch: 49 X 40 cm
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Portrat der Konigin Henrietta Maria, mit Zwerg Sir Jeffrey Hudson
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Portrat_der_Konigin_Henrietta_Maria,_mit_Zwerg_Sir_Jeffrey_Hudson
Portrat der Konigin Henrietta Maria, mit Zwerg Sir Jeffrey Hudson
1633(1633)
Oil on canvas
220 X 135 cm
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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