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The Holy Family
new25/RAFFAELLO Sanzio-778365.jpg
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The_Holy_Family
1518(1518)
Medium Oil on canvas transferred from wood
cyf
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Crucifixion
new25/RAFFAELLO Sanzio-855557.jpg
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Crucifixion
between 1502(1502) and 1503(1503)
Medium Oil on wood
cyf
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Elisabetta Gonzaga
new25/RAFFAELLO Sanzio-867537.jpg
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Elisabetta_Gonzaga
1503(1503)
Medium Oil on wood
cyf
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The presentation in the temple
new25/RAFFAELLO Sanzio-364966.jpg
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The_presentation_in_the_temple
Date between 1502(1502) and 1503
cyf
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Madonna Terranuova, Szene: Maria mit Christuskind und zwei Heiligen, Tondo
new25/RAFFAELLO Sanzio-683565.jpg
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Madonna_Terranuova,_Szene:_Maria_mit_Christuskind_und_zwei_Heiligen,_Tondo
1504-1505
Medium Oil on wood
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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