|
|
 |
| Click Image to Enlarge |
Youngster going downstair
new19/Peter Paul Rubens-984683.jpg
|
|
|
|
|
Youngster_going_downstair
mk225
1623-1633
56.1x40.5cm
|
|
 |
| Click Image to Enlarge |
Yierdefu accept the Clothing
new19/Peter Paul Rubens-852775.jpg
|
|
|
|
|
Yierdefu_accept_the_Clothing
mk225
1630-1631
53x84cm
|
|
 |
| Click Image to Enlarge |
Yierdefu accept the Closthing
new19/Peter Paul Rubens-526953.jpg
|
|
|
|
|
Yierdefu_accept_the_Closthing
mk225
Oil on canvas
|
|
 |
| Click Image to Enlarge |
Yierdefu accept the Closthing
new19/Peter Paul Rubens-389573.jpg
|
|
|
|
|
Yierdefu_accept_the_Closthing
mk225
1630-1631
24.7x15.8cm
|
|
 |
| Click Image to Enlarge |
Portrait of Yien
new19/Peter Paul Rubens-387392.jpg
|
|
|
|
|
Portrait_of_Yien
mk225
1602
29.6x24.3cm
|
|
|
| Prev Artist Next Artist
|
|
Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
