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Portrait of Frederik Rihel on Horseback
new10/REMBRANDT Harmenszoon van Rijn-598499.jpg
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Portrait_of_Frederik_Rihel_on_Horseback
mk93
c.1633
Oil on canvas
116x94 7/8xin
National Gallery,London
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The Syndics
new10/REMBRANDT Harmenszoon van Rijn-222475.jpg
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The_Syndics
mk93
1661-62
Oil on canvas
75 3/8x109 7/8in
Rijksmuseum,Amsterdam
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The Jewish Bride
new10/REMBRANDT Harmenszoon van Rijn-838756.jpg
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The_Jewish_Bride
mk93
c.1662
Oil on canvas
47 7/8x65 1/2in
Rijksmusem,Amsterdam
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Philosopher in Meditaton
new10/REMBRANDT Harmenszoon van Rijn-293467.jpg
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Philosopher_in_Meditaton
mk93
1632
Oil on panel
11x13 3/8in
Louvre,Paris
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Jacob Blessing the Sons of Joseph
new10/REMBRANDT Harmenszoon van Rijn-487997.jpg
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Jacob_Blessing_the_Sons_of_Joseph
mk93
1656
Oil on canvas
175x210.5cm
Cassel,Gemaldegalerie Alte Meister
Staatliche Kunstsammlungen Kassel
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REMBRANDT_Harmenszoon_van_Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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