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Portrat der Isabella Brant
new23/Peter Paul Rubens-946887.jpg
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Portrat_der_Isabella_Brant
Medium Oil on panel
Dimensions Deutsch: 96 x 70 cm
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ovaderslandskap
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ovaderslandskap
olja pa tra 209x147cm
1642
se
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park utanfor ett slott
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park_utanfor_ett_slott
olja pa tra 97x52.7cm
1635-1638
se
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cimone och efigenia
new23/Peter Paul Rubens-588947.jpg
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cimone_och_efigenia
olja pa duk 282x208cm
1617
se
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de fyra varldsdelarna
new23/Peter Paul Rubens-486377.jpg
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de_fyra_varldsdelarna
olja pa duk 284x209cm
1612-14
se
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Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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