|
|
|
|
|
Lucas Cranach
|
|
Portrait_Supposed_to_Be_of_Magdalena_Luther_(mk05)
|
|
Wood,16_1/4_x_101/4''(41_x_26_cm)Acquired_in_1910
|
|
|
|
|
|
|
|
Click to Enlarge
|
| Lucas_Cranach
|
Portrait Supposed to Be of Magdalena Luther (mk05)
new5/Lucas Cranach-688334.jpg
|
|
|
|
|
|
| Wood,16 1/4 x 101/4''(41 x 26 cm)Acquired in 1910 |
|
|
Kronach 1472-Weimar 1553
German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger,
|
|
|
|
|
|
|
