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Albrecht Durer
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The_Seven_Sorrows_of_the_Virgin:_The_Flight_into_Egypt
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The Seven Sorrows of the Virgin: The Flight into Egypt
new21/Albrecht Durer-689432.jpg
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| 1496 Oil on pine panel, 63 x 45,5 cm Gem?ldegalerie, Dresden The Flight into Egypt is one of seven scenes from the Life of Christ which originally surrounded the large central panel of the Mother of Sorrows. In the Gospel of St Matthew (Matt. 2, 13-14), the event is mentioned briefly, though narrated in more detail in the Apocrypha. King Herod ordered that all newborn sons should be killed once he had found out that a future king would be born in Judea. An angel conveys to Joseph God's message to leave the town. Thus the Holy Family fled to Egypt. The group of figures, with Mary riding and holding the Christ Child and Joseph leading the ass, is arranged parallel to the picture in the foreground, an arrangement which is repeated in the later woodcut in the Life of the Virgin. In the foreground the path is stony, and in the background a rocky landscape is visible. The rock is a sign of a safe place of refuge, but can also be interpreted as a mariological and christological symbol: "The stone which the builders rejected, the same is become the head of the corner" (Matt. 21, 42). Both the composition and method of painting still owe much to the Late Medieval workshop tradition.Artist:D?RER, Albrecht Title: The Seven Sorrows of the Virgin: The Flight into Egypt Painted in 1501-1550 , German - - painting : religious |
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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