|
|
|
|
|
BRAY, Salomon de
|
|
Eliezer_and_Rebecca
|
|
Date_1660(1660)
_
Medium_Oil_on_canvas
_
Dimensions_90_X_156_cm_(35.43_X_61.42_in)
_
cyf
|
|
|
|
|
|
|
|
Click to Enlarge
|
| BRAY,_Salomon_de
|
Eliezer and Rebecca
new24/BRAY, Salomon de-666498.jpg
|
|
|
|
|
|
| Date 1660(1660)
Medium Oil on canvas
Dimensions 90 X 156 cm (35.43 X 61.42 in)
cyf |
|
|
Dutch Baroque Era Painter, 1597-1664
De Bray established himself in Haarlem before 1617, where he is supposed to have been taught by Hendrick Goltzius and Cornelis van Haarlem, and where he married in 1625. He painted history paintings, portraits and landscapes. As a Catholic he probably also made altar pieces for clandestine churches. He cooperated in the decoration of Huis ten Bosch in The Hague. His works draw on the spirit of the Dutch classicism beginning at that time, and are comparable with those of Pieter de Grebber.
De Bray was also active as a designer of silverwork, as a poet, as an architect and as a town planner. As an architect, he was involved in the construction or expansion of Haarlem's City Hall, Zijlpoort, and St. Annakerk (Church of St. Anne), and Nijmegen's city orphanage. One of his poems was set to music by his friend the composer Cornelis Padbru??.
Salomon de Bray was the father of ten children, of whom three (including Jan de Bray) became artists. He probably died of the plague, as some of his children and was buried in the Sint-Bavokerk in Haarlem.
|
|
|
|
|
|
|
