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Painting:: all impression --> Style:: figure
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Artist: James Ensor

Children Dressing
Painting ID::  37499
mk126 1886 In Ensor-s Oeuvre Children Dressing can be considered a water-shed work between the bourgeois living room and the Lyrical sub-jects to come.

Artist: James Ensor

Masks Watching a Negro Minstrel
Painting ID::  37503
mk126 ca.1878-79 This is an early work,which dates from Ensor-s Brussels period.it could easily be an academic teaching piece on the paintng of live Models.

Artist: James Ensor

Old Woman with Masks
Painting ID::  37504
mk126 1889 As he had already with Masks watching a negro minstrel.Ensor added the masked figures to this painting at a later time.

Artist: James Ensor

Masks Confronting Death Or Masks Mocking Death
Painting ID::  37505
mk126 1888 The skeleton and it-s pendant the mask haunt Ensor-sbest-known pictures.

Artist: James Ensor

The Great Judge
Painting ID::  37508
mk126 1898 The Judge is set in the center of the canvas. Gathered around him are various bewildered-looking

Artist: James Ensor

Death and the Masks
Painting ID::  37507
mk126 1897 Under a livid sky in Which two Flying skeletons armed with scythes

Artist: James Ensor

Pierrot and Skeleton
Painting ID::  37509
mk126 1905 By the light of a paraffin lamp,Pierrot seems to be under attack by two skeletons.

Artist: James Ensor

The Red Judge
Painting ID::  37510
mk126 1900 In this particularly cruel picture,we see a judge flanked by two skeletons wearing top hats.

Artist: James Ensor

The Girl with Masks
Painting ID::  37511
mk126 1921 This picture shows a young girl open-mouthed,with her gaze fixed on bouquet of flowers she is holding in both hands.

Artist: James Ensor

The Entry of Christ into Brussels
Painting ID::  37512
mk126 1898 A man wearing a top hat in the near foreground holds a poster declaring Vive Anseele et jesus.

Artist: James Ensor

Carnival in Flanders
Painting ID::  37513
mk126 1925-29

Artist: James Ensor

Singing Masks
Painting ID::  37514
mk126 1925-29

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Painting:: impression --> Style:: figure
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