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Painting:: all people --> Style:: religious
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Artist: CARRACCI, Lodovico

The Virgin Appearing to St Hyacinth fdg
Painting ID::  5949
1594 Oil on canvas, 375 x 223 cm Mus??e du Louvre, Paris

Artist: CASTELLO, Valerio

The Miracle of the Roses dfg
Painting ID::  5957
Oil on canvas, 47,5 x 37,5 cm The Hermitage, St. Petersburg

Artist: CASTELLO, Valerio

Moses Striking the Rock dfg
Painting ID::  5958
Oil on canvas Mus??e du Louvre, Paris

Artist: CASTELLO, Valerio

Rebecca at the Well df
Painting ID::  5959
Oil on canvas, 80 x 55,5 cm The Hermitage, St. Petersburg

Artist: CATARINO

Coronation of the Virgin fd
Painting ID::  5965
1375 Tempera on panel, 89 x 58 cm Gallerie dell'Accademia, Venice

Artist: CAVALLINI, Pietro

The Last Judgement (detail of the Apostles) fg
Painting ID::  5973
1295-1300 Fresco Santa Cecilia in Trastevere, Rome

Artist: CAVALLINI, Pietro

Annunciation vfhdfhs
Painting ID::  5974
1291 Mosaic Santa Maria in Trastevere, Rome

Artist: CAVALLINO, Bernardo

Esther and Ahaseurus df
Painting ID::  5980
1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence

Artist: CAVAROZZI, Bartolomeo

St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g
Painting ID::  5982
1608 Oil on canvas, 280 x 220 cm Basilica di San Marco, Rome

Artist: CEREZO, Mateo

Assumption of Mary khj
Painting ID::  5985
Oil on canvas, 237 x 169 cm Museo del Prado, Madrid

Artist: CEREZO, Mateo

The Mystic Marriage of St Catherine klj
Painting ID::  5986
1660 Oil on canvas, 207 x 163 cm Museo del Prado, Madrid

Artist: CERUTI, Giacomo

The Annunciation kljk
Painting ID::  5991
Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.

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Painting:: people --> Style:: religious
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