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Painting:: all people --> Style:: woman
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Artist: Caravaggio

St Catherine of Alexandria
Painting ID::  62387
173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.

Artist: Juan de Flandes

Herodias Revenge
Painting ID::  62420
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious

Artist: Francois Boucher

The Milliner
Painting ID::  62421
1746 Oil on canvas, 64 x 53 cm Nationalmuseum, Stockholm The painting, commissioned by Count Tessin, the ambassador of Switzerland, is part of a series of four representing morning, noon, afternoon and night, respectively. Author: BOUCHER, Fran?ois Title: The Milliner (The Morning) , 1701-1750 , French Form: painting , genre

Artist: Maurice Prendergast

From Darkness
Painting ID::  62438
Allegory of the Hungarian Academy of Sciences 1831 Oil on canvas, 350 x 250 cm Hungarian Academy of Sciences, Budapest Author: ENDER, Johann Title: "From Darkness, the Light". Allegory of the Hungarian Academy of Sciences , 1801-1850 , Austrian Form: painting , mythological

Artist: Brocky, Karoly

Mother and Child
Painting ID::  62446
1846-50 Oil on canvas, 62 x 54,8 cm Hungarian National Gallery, Budapest Like many others painted in this period, this painting reflects the influences of the artist's journey to Italy

Artist: Sir David Wilkie

Queen Victoria
Painting ID::  62452
1840 Oil on canvas Private collection Author: WILKIE, Sir David Title: Queen Victoria (detail) Form: painting , 1801-1850 , Scottish , portrait

Artist: Thomas Sully

Queen Victoria
Painting ID::  62500
1838 Oil on canvas, 143 x 113 cm Wallace Collection, London This painting is a reduced version of a whole-length portrait of the young Queen at the time of her coronation which was painted in London for the Society of the Sons of St George of Philadelphia. Author: SULLY, Thomas Title: Queen Victoria Form: painting , 1801-1850 , American , portrait

Artist: Eugene Delacroix

Moroccan Women
Painting ID::  62514
1832 Watercolour Mus?e Cond? Chantilly The number of major paintings that derive from Delacroix's Moroccan notes and sketchbooks is clear proof of the impact of the experience. They include the Jewish Wedding in Morocco, The Fanatics of Tangier and The Sultan of Morocco and his Entourage. In the composition of these works, Delacroix scrupulously observed the notes and sketches that he had made in situ. Thus the decor of the Jewish Wedding in Morocco exactly matches that recorded in a watercolour in the notebook, while his notes give an exact description of the painting that was to come. Author: DELACROIX, Eug?ne Title: Moroccan Women Form: graphics , 1801-1850 , French , study

Artist: Antonio Canova

The Three Graces Dancing
Painting ID::  62546
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological

Artist: Bartolome Esteban Murillo

Rest on his way to flee Egypt
Painting ID::  62586
mk284 Oil on canvas 1670 187 x 223 cm Hermitage Museum in St. Petersburg

Artist: Bartolome Esteban Murillo

Unit 4 steps
Painting ID::  62588
mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe

Artist: Bartolome Esteban Murillo

Window of two women
Painting ID::  62589
mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington

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Painting:: people --> Style:: woman
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