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Painting:: all people --> Style:: party
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Artist: Peter Severin Kroyer

vinhost i tyrol
Painting ID::  64516
1901 privateje se

Artist: Peter Severin Kroyer

hip, hip, hurra
Painting ID::  64517
se

Artist: Peter Severin Kroyer

frokostgildet, hip, hip, hurra,
Painting ID::  64519
1888 goteborg konstmuseum se

Artist: Laurits Tuxen

kunstnerens anden hustru med nina og yvonne i haven pa skagen
Painting ID::  64544
1922 se

Artist: unknow artist

Smokers in an Interior
Painting ID::  64559
1643 Oil on canvas, 117 x 137 cm Mus?e du Louvre, Paris Not all the Le Nain genre scenes depict peasants. Some of them show middle-class sitters, even rarer in art than the depiction of the poor. It is one of these larger 'bourgeois compositions' which admits the Le Nain brothers into that small group of painters capable of creating a masterpiece. This is the Smokers in an Interior in the Louvre, dated 1643. Its technique must have been learned during the painting of the Forge, but the brushwork is far more precise. The composition is much less original, being closer to the type familiar from the Dutch. The figures are grouped round a table illuminated by a solitary candle, and the figure on the left has fallen asleep at the table. In this painting it seems that the depiction of low life - here middle-class men smoking in an interior - has risen beyond its normal pictorial limitations to create a masterpiece which is, perforce, unexpected. While Nicolas Poussin was obsessed with the concept of beauty and with the need to be able to paint exactly what he thought, here the painter's desire arises from an opposite need, the need to observe. Each of the models appears to be a portrait, although it is difficult to explain why the sitters should have chosen to be depicted with such casualness. There is no clue to the possibility of a confraternity, although the curious emblems on the carpet on the table could be symbols of some secret society. The eerie quality of the picture is emphasized by the fall of the shadows on the faces and by the way in which the figures stare into space just like the peasants in other pictures and the seated figure on the right has all the appearance of being under the influence of some drug. There is no satisfactory explanation for such a picture; it is as if this trio of painters, observers of a small fragment of their times, never intended the meanings of their pictures to be divined. Artist:LE NAIN brothers Title: Smokers in an Interior, 1601-1650, French , painting , genre

Artist: MASSYS, Quentin

St Anne Altarpiece
Painting ID::  64560
1507-08 Oil on wood Mus?es Royaux des Beaux-Arts, Brussels The right wing shows St Anne on her death bed, covered with a red sheet, her face pale, her mouth half open, as if she had just breathed her last. Mary Salome, who has collapsed with grief, wipes the tears from her cheeks. Artist:MASSYS, Quentin Title: St Anne Altarpiece (right wing, detail), 1451-1500, Flemish , painting , religious

Artist: BEUCKELAER, Joachim

Village Feast
Painting ID::  64562
113 x 162 cm The Hermitage, St. Petersburg Artist:BEUCKELAER, Joachim Title: Village Feast, 1551-1600, Flemish , painting , genre

Artist: BEUCKELAER, Joachim

The Vegetable Market
Painting ID::  64563
1567 Oil on panel 149 x 215 cm Koninklijk Museum voor Schone Kunsten, Antwerp Joachim Beuckelaer took the market and kitchen painting created by Pieter Aertsen, and developed them into an independent genre which remained popular until well into the 17th century. The didactic element of Beuckelaer's paintings did not manifest itself in propaganda on behalf of Catholic orthodoxy, but in the cheerful censure of the wickedness of worldly pleasure. His paintings are full of allusions to sensuality, sexuality and fertility, with vegetables, fruit, fish, meat and cooking utensils piled up around a few figures. In his best works, Beuckelaer mixes a strong sense of space and detail on the one hand, with unity of composition on the other. Artist:BEUCKELAER, Joachim Title: The Vegetable Market, 1551-1600, Flemish , painting , still-life

Artist: RUBENS, Pieter Pauwel

Triumphal Entry of Henry IV into Paris
Painting ID::  64581
1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical

Artist: Michael Ancher

vil han klare pynten
Painting ID::  64586
1879. privateje

Artist: Michael Ancher

en laegpraedikant holder gudstjeneste pa skagen sonderstrand
Painting ID::  64587
1877 se

Artist: Michael Ancher

fiskere i faerd med at saette en rorsbad i vandet
Painting ID::  64594
1881 se

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Painting:: people --> Style:: party
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