100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.

Search My Painting

ART WORKS INDEX
A
  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

ARTISTS INDEX
A
  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z


Painting:: all people --> Style:: madonna

Prev  81  82  83  84  85  86  87  88  89  90  91  92  93  94  95  96  97  98  Next

Artist: Raphael

madonna della tenda
Painting ID::  64838
alte pinakotek, munich oil on wood, diameter 71cm se


Artist: Raphael

alba madonna
Painting ID::  64839
national gallery of art, washington oil on wood transferred to canvas, diameter95cm se


Artist: unknow artist

The Nativity
Painting ID::  65253
1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious


Artist: unknow artist

Virgin and Child with Angels and Saints
Painting ID::  65254
1400-25 Tempera on wood, 150 x 82 cm Museo del Prado, Madrid The picture shows the central panel of a polyptych called the Alterpiece of Archbishop Don Sancho de Rojas after the donator who is depicted kneeling at the left side of the painting. It comes from the church of San Benito (St Benedict) in Valladolid. The painter is identified as Rodriguez de Toledo, a representant of the Italo-Gothic painting in Castile. Artist: UNKNOWN MASTER, Spanish , Virgin and Child with Angels and Saints , 1401-1450 , Spanish , painting , religious


Artist: Francisco de Zurbaran

the virgin of mercy with two mercedarians
Painting ID::  65712
1641-1658 oil on canvas, 166x129cm se


Artist: Francisco de Zurbaran

virgin and child in the clouds
Painting ID::  65713
1641-1658 oil on canvas se


Artist: Francisco de Zurbaran

virgin of the rosary
Painting ID::  65732
1641-1658 oil on canvas 181x102cm se


Artist: Francisco de Zurbaran

virgin and child with st,
Painting ID::  65733
john. 1658 oil on canvas, 137x104cm se


Artist: Francisco de Zurbaran

la porciuncula
Painting ID::  65734
1661 oil on canvas, 198x155cm se


Artist: Francisco de Zurbaran

virgin and child with st.
Painting ID::  65737
john.1662 oil on canvas, 165x127cm se


Artist: Francisco de Zurbaran

virgin and child with st
Painting ID::  65741
1658-1664 oil on canvas, 130x100cm se


Artist: Szymon Czechowicz

Adoration of the Magi.
Painting ID::  66275
18th century Oil on canvas 90 x 130 cm (35.43 x 51.18 in)


Prev  81  82  83  84  85  86  87  88  89  90  91  92  93  94  95  96  97  98  Next

Painting:: people --> Style:: madonna

Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting

http://www.chinafineart.com

China Oil Painting Studio Team